The costumes are amazing, including the way that so much about each character is expressed through the costume choices, from Vicar Elton's overblown sleeves to his pretentious bride's larger-than-necessary accessories to Harriet's simple but beautiful dresses and, of course, Emma's to-die-for gowns, which connect her to surroundings and people in each season. The production design is top-notch, transforming England's countryside into a Regency village with its abbey manses, tenant farms, town shops, and more. He's not the typical tall/lantern-jawed hero like the men who play Frank Churchill or Robert Martin, but he's passionate and generous and he sees Emma. Flynn is an unconventional but fabulous choice for Knightley. Taylor-Joy's expressive face and spot-on mannerisms turn the well-intentioned but clueless main character into a redeemable person who's far more substantial than her superficial matchmaking suggests. with heart, humor, and a positive gloss on the female relationships in the story. Director Autumn de Wilde and screenwriter Eleanor Catton have infused Emma. Gorgeous details combined with a funnier-than-expected screenplay and a wonderful ensemble make this one of the best Jane Austen adaptations in many years. Love triangles, social faux pas, balls, proposals, and weddings ensue. Weston's mysterious son, Frank Churchill (Callum Turner), who's set to inherit a mansion, and Jane Fairfax (Amber Anderson), the accomplished and educated niece of village spinster Miss Bates (Miranda Hart), each arrive in Highbury, adding comedic drama to Emma's social circle. Knightley ( Johnny Flynn) advises her against meddling, but she'll hear none of it. Emma's neighbor (and sister's brother-in-law) Mr. Elton ( Josh O'Connor), so she convinces Harriet not to accept a proposal from handsome tenant farmer Robert Martin (Connor Swindells). Emma is determined to pair Harriet with young vicar Mr. Looking for a matchmaking project, Emma, who lives with her anxious father ( Bill Nighy), befriends Harriet Smith ( Mia Goth), a young woman of unknown parentage who attends the village's boarding school for underprivileged girls. is based on Jane Austen's classic 19th century novel in which aristocratic not-quite-21-year-old Emma Woodhouse ( Anya Taylor-Joy) is bored after the marriage of her beloved governess, Miss Taylor ( Gemma Whelan), to widower Mr. Show moreĭirector Autumn de Wilde's EMMA.
#SUN HAVEN EMMA MOVIE#
Adapted by screenwriter Eleanor Catton and directed by photographer and music director Autumn de Wilde, the movie has themes of empathy, compassion, and learning to ask for forgiveness. The movie, like the book, explores issues of women's roles in society, friendship and courtship across social classes, and why manipulating others, even for their own good, rarely ends well.
There's no strong language or violence, though one character is nearly set upon by thieves, and another gets a nosebleed. Characters drink socially, and Emma believes a man to be drunk.
But characters do kiss, flirt, and talk about marriage and courtship. It's quite tame overall, but there's a quick scene of partial nudity when Knightley ( Johnny Flynn) undresses (his naked backside is shown) and another side view of Emma ( Anya Taylor-Joy) as she warms her rear end near the fireplace for a moment before lowering her gown. is a delightful adaptation of Jane Austen's much-beloved classic about a clever, charming young woman who can't stop meddling in her friends' love lives.
0 kommentar(er)
